Object placement
Place the essential objects in relation to one another and name their relative size when it matters.
Annual billing Everygen annual plans cost about 50% less than monthly billing
Describe objects, layout, materials and lighting to build a still image. Explore text to image with a clear focal point and compare composition variations.

Editorial illustration of a rainy bookshop corner, warm interior light, two umbrellas by the door and a restrained palette.
Spatial instructions make a written brief easier to interpret: a vase on the left of a table is more concrete than an elegant arrangement. Establish object relationships and scale, then add the rendering style.

Place the essential objects in relation to one another and name their relative size when it matters.
Choose the element viewers should notice first, then keep secondary objects from competing with it.
Use a coherent medium and palette rather than combining several incompatible treatments in one request.
Write a visual brief with a subject, layout, material and light.
Check the selected model or tool, its offered output controls and current credit estimate. Submit only when the required service is available.
Compare the result with the source or brief at the intended display size, then inspect small details before saving the selected image.
Name where objects sit relative to each other and which should be larger or closer to the camera.

Use one main subject and a few supporting elements so the viewer can understand the composition quickly.

Select a medium, palette and lighting treatment that work together rather than listing several conflicting styles.

Reserve space for later text or crops when the artwork will become a banner, cover or post.

Change object placement or lighting when it causes the visible issue, then compare a fresh image.

Newly generated illustrations show possible art direction. Adapt the original briefs for your own inputs and compare the result.

Editorial illustration of a rainy bookshop corner, warm interior light, two umbrellas by the door and a restrained palette.

Editorial illustration of a rainy bookshop corner, warm interior light, two umbrellas by the door and a restrained palette. Keep the composition simple and show the subject clearly.

Editorial illustration of a rainy bookshop corner, warm interior light, two umbrellas by the door and a restrained palette. Use restrained lighting and review fine details at the final viewing size.
Compare monthly plans, annual billing and one-time credit packs. Check allowances, credit expiry and the editor estimate before choosing paid access.
Billed once yearly · Cancel renewal anytime
0.025 / credit
$179 billed yearly · Save $179.8
MiniMax H30.017 / credit
$299 billed yearly · Save $299.8
MiniMax H30.014 / credit
$599 billed yearly · Save $599.8
MiniMax H30.012 / credit
$1,199 billed yearly · Save $1,199.8
MiniMax H3Specialized operations stay separate from the model list.
MiniMax H3Live estimate in the editorGeneration costs depend on the selected model, supported settings and configured provider. The editor shows the current estimate before submission.
Annual cards show a monthly-equivalent allowance. The full annual credit allowance is granted on successful payment and expires after 365 days; monthly credits are valid for 30 days. Credit-pack validity is shown on each card.
Describe objects, layout, materials and lighting to build a still image. Explore text to image with a clear focal point and compare composition variations.